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One of my authors, and it very well might have been you, said that you have to show up every day for the work because if you don’t show up you won’t know what will happen. I try and show up every morning, early, before the demands of the day take hold. Of course, I can’t always, but I do my best. ?I’m incredibly disciplined, almost to a fault. When I wrote my second novel, “The Life Room,” I told myself that I would wake up every morning and write five pages in my notebook and would not read anything beyond the last two pages I’d written. I followed that course until I had a first draft. This novel was different. ?It came in spurts and then I put it aside for interrogation, and this process repeated itself again and again. Writing is not a chore. It is a necessity and a delight. I read an interview in the Paris Review recently with John Banville. He quoted Auden with the saying that a writer should be loaded with as much trauma as children as they can bear and unfortunately my childhood was filled with it and writing became a way of reckoning. I feel most myself when I’m writing. But with that said, I have as much a desire to escape from it after I’ve put in my daily hours. I’m intensely self-critical and I never feel as if what I’ve committed to paper expresses the full scope or nuance of what I’d hoped for. The self-scrutiny is tortuous, as much as a delight, and I’m happy to leave it alone and tend to my full life outside of writing. It’s a privilege to work at a publishing house in which its ideals and books we publish match my own expectations of quality and excellence. ?And it is an honor to work with writers I admire and respect.
I was interested in writing a novel about a male protagonist because of my attraction to the ways in which fiction can be a lens for understanding character. One of my prized novels is Henry James’ “Portrait of a Lady.” ?I love how James writes about consciousness and the fallibility of character. Isabel Archer is complex and nuanced and as a reader I feel as if I know her completely. The men that surround her are also fairly complex characters and Isabel’s interactions with them all, Lord Warburton, Caspar Goodwood, Ralph Touchett, Gilbert Osmond, shape her sensibility and character. ?In “The Prize” my intent was to create a genuine male character who?was heroic and gentlemanly, even in his failings. I wanted to create a character who doesn’t fully know himself?—?and I suppose to a certain extent this is true of all of us?—?and see how he would respond to the trouble I created for him.
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